‘I am fascinated by the things that are not graspable but that surround and inhabit us. They are like colours in between – not visible to our eyes but sensible. I seek to embody and express them through performance so they become an experience for the audience.’
CV data sheet here
Stephanie Scheubeck works as a dance artist, choreographer, filmmaker and researcher. Her artistic work ranges from dance and digital performances to screendance filmmaking and audio-visual installations and is influenced by her own synaesthetic experiences and her studies in somatic practices. Stephanie’s work is mainly cross-disciplinary with an emphasis on collaborative creation processes. Her projects aim to stimulate kinaesthetic empathy and sensory experience.
The relationship between synaesthesia, embodiment and dance is her area of research. As a synaesthete and dancer, she aims to promote synaesthesia as an example of diversity of perception in society and to contribute to an integral understanding of synaesthesia.
Presentations of her research include:
• Article ‘Colours on the surface of my body in motion: The relationship between synaesthesia and dance improvisation’ in the issue 11.1. of the ‘Journal of Dance and Somatic Practice’ (Intellect Publishers)
• Symposium ’Queering the Somatic: Interrupting the Narrative’ – Middlesex University London/UK, 2019
• Symposium ’Narrating the Somatic: Gathering voices, sharing practices’ – Middlesex University London/UK, 2018
• Symposium AVBODY – the audiovisual body – University of Huddersfield/UK, 2018
• Symposium ’Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique’ – Bath Spa University/UK, 2017
Stephanie founded Sound & Colour Production in 2018. The production is the home for her artistic work, research and workshops on synaesthesia, dance and embodiment. For the research and development of the current artistic project, Sound & Colour, the production received support from:
• Goethe Institute & Dance Limerick -Percolate Residency (IRL, July/August 2018)
• DanceSeedCreate Bursary from Bath Dance – R&D residency at Bath Spa University (UK, June 2018)
Both residencies featured workshops, discussions and work-in-progress showings.
Filmmaking is an important tool in Stephanie’s art-making. The abstract images of the world, which she captures through the lens, resemble her synaesthetic experiences. They serve as source of inspiration and base for film work as well as for live performances.
Stephanie’s screendance films and audio-visual installations were screened and featured in several festivals, exhibitions and magazines:
• spectra screendance film – Jury Award NEWCOMERAS 1st International Screendance Festival Freiburg 2019 (GER) / ADF’s Movies by Movers (USA) / Seyr Festival Teheran (IRA) (2019) / Award ‘Official Selection WomenCineMakers Biennal Edition’ featuring an interview on my artistic practice (2018), and many more.
• At the Vanishing Point audio-visual installation – exhibition Videoskin – The Edge Gallery Whitehorse (Yukon/CAN, 2018) & symposiums ’AVBODY: Symposium on the Audiovisual Body’ (University of Huddersfield/UK, 2018) & ’Bodily Undoing: Somatic Activism and Performance Cultures as Practices of Critique’ (Bath Spa University/UK, 2017)
In 2017, Stephanie received a scholarship from Goethe Institute Ireland to present spectra at Lightmoves Festival for Screendance (IRL). She was invited to the Porthleven Prize residency (2017) in Cornwall, including workshops, lectures and creations in different artistic media such as audio production, fine art, photography and performance.
Stephanie holds a Master of Arts in Dance with highest distinction from Bath Spa University (2017). Her MA Dance theses performance Lucidity at Bath Spa University was awarded with outstanding distinction.
Since 2018, Stephanie works as an associate lecturer at Bath Spa University on the MA and BA in Dance programme.
With her passion for collaborative creation processes, Stephanie co-founded several collectives, among them:
• Collective B (screendance filmmaking, since 2018)
• beatsecutse (music video productions, since 2015)
• The Psychonautic Vibrogroove (synaesthetic performances/blending of live band, dance and visual art, 2010-2013)
Her own productions have been presented internationally since since 2007. Apart from the mentioned locations above also at
• Kaltstart Festival Hamburg (GER)
• SinemaDans Film Festival Ankara (TUR)
• Dwellington Project Sydney (AUS)
• Dock 11 Berlin (GER)
• POOL-International Dance Film Festival Berlin (GER)
• E-Werk Freiburg (GER)
• Grüner Salon/Volksbühne (GER)
• Townhall Berlin (GER)
• Savvy Contemporary Gallery Berlin (GER), and many others
As choreographer, Stephanie received commissions from and worked with
• National Museum Seoul/Young In Hong (UK/KOR)
• Oetinger Publishing Group (GER)
• Theater Bonn (GER)
• Theater T-WERK (GER)
• Laura Heinecke & Company (GER)
• Miranda Markgraf (GER)
As a performer, she worked with The Nature Theatre of Oklahoma (NY), Lisa May Thomas (UK), Willi Dorner (AUT), Anna Heighway (UK), Minako Seki (JPN/ GER), Company Blu (ITA), Elias Cohen (CHL), Theatre Pro (GER), and many more.
Previous studies include: Somatic Practitioner Training (Somatic Academy Berlin, 2016-2017), ThaiYoga Massage Practitioner (Sunshine House Greece, 2014), Physical Theater Dance & Butoh (KIM Berlin / Elias Cohen, Minako Seki, 2010), New Dance / Improvisation / Performance (TIP- Freiburg / Lilo Stahl, Bernd Ka, 2005-2007) and Musical Theater (Musicalstudio Neukölln, Janina Szarek, Berlin 2001-2002).
Stephanie’s approach to body and movement is further influenced by intensive studies in Qi Gong, body weather training, yoga, music and vocal art.